#just a way for plot by any means probably

[deadpcnned]

you're so vain (jj.m)

coming soon!

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pairing: jj maybank x reader (au)

synopsis: for as long as anyone can remember, jj maybank has been a ladies’ man—willing to charm any girl with a pulse. you, on the other hand, have never been easily won over, shutting down unwanted advances without a second thought in the name of higher pursuits.

so when his friends bet he can’t get with you, he sees it as just another challenge. what he doesn’t know is that you have a bet of your own—act like the worst girlfriend possible, and prove that guys don't just stick around for looks.

at first, it’s just a game. your weird quirks and stubborn attitude are nothing he can’t handle, and his flirtations are nothing more than motivation for you. but with every passing day, it all seems less like a game and more... real. what happens when winning the bet means losing each other?

* this series is inspired by 'how to lose a guy in 10 days' *

content warning(s): au, drugs, alcohol, language

author's note: uh oh, another series... like most girls, i am such a big fan of this movie and i couldn't resist adding my own spin to the plot. this series won't be starting until probably the end of february, but i wanted to go ahead and post it!

“I seriously doubt a guy would stick around if he were fishing out spinach from my mouth every time we kissed,” You mumble, rolling your eyes at Ruthie as you return to tightly winding Sarah’s hair around the curling iron. Your grip tightens around the pink handle, more from exasperation than focus. Topper seriously needs to reconsider his recent taste in women.

Ruthie pushes herself up from the bed and saunters over to the two of you, a spark of mischief shining in her eyes that catches your attention in the mirror. Without warning, she scoops the ottoman from under your knee, ignoring your annoyed huff as she plops down. “You don’t get it, do you?” she says, shaking her head as if she’s explaining something painfully obvious. “Boys are simple. They’ll do anything for a good fuck.” 

“Ruthie!” 

“Sarah!” You exclaim, pulling away the curling wand hovering dangerously close to her turned cheek. “Stop moving! I almost burned you!” You cautiously rest your curling wand on the vanity, crossing your arms as you address Ruthie’s tireless campaign. “Ruthie, that’s just not true. Men suck, but they’re not that desperate.” 

“Care to test it?” The look she gives you, so full of unwarranted confidence, makes it tempting to agree blindly to whatever nonsense she’s about to spew. But in the short time you’ve known her, you’ve gathered jumping headfirst into whatever she plans is maybe not the smartest thing to do. 

“How would we do that?” You arch a brow, playing it cool, the picture of nonchalance. Girls like Ruthie want you to bark when you should be biting back. The best way to handle them is to beat them at their own game. It doesn’t matter how uneasy her grin makes you. You have to look like the picture of perfect insouciance. 

“Easy. You reel in some sucker and make him regret it. Clingy, loud, jealous – I’m talking full nightmare fuel.” 

“Me?” You scoff, reaching for the iron. “Sarah, I swear, if you move–”

 Sarah hums in acknowledgment but doesn’t angle her face towards the circular mirror like you need her to. She’s too busy watching Ruthie, waiting for her following words. 

“Yes, you.” 

“Why do I have to be the guinea pig?” You fuss, shifting your position to continue working on Sarah’s hair. You twist Sarah’s blond hair around the silver rod as you suggest, “You test it out with Topper. You’re the one with something to prove.”

“I’m actually serious about Topper,” Ruthie counters and you have to physically bite your tongue from making a snarky comment. “And you’re perfect for this. You’re objectively hot and leaving at the end of the summer. No strings with a hot chick? Guys eat that up.” 

“Ruthie, remind me again why you’re with Topper if you have such a low opinion of the entire male species,” Sarah asks. Sarah eyes Ruthie with a mix of genuine curiosity and plain judgment. Ruthie doesn’t dignify Sarah with a response, upholding the same catty attitude she’s maintained with her since the start of the evening. “Or not.” 

You and Sarah share a long look, not hiding your indignation, but you can’t deny that beneath you’re irritation, you’re a little interested. You would be in the Outer Banks for three months; you might as well find a way to kill time. 

“Done,” You announce, pulling back and smiling at your handiwork. As Sarah fluffs through her hair, you ask, “So, I just pick any guy and make him miserable?” 

Sarah spins around at a dizzying speed, her jaw dropping open. “You’re considering it? Like, actually?”  

You give her a sheepish shrug and look to Ruthie for confirmation. 

“No, I get to choose.”

“What, why?” You scoff. 

“Cause you’d choose someone you already know, and those guys have been harboring unrequited crushes on you since you were, like, twelve.” You try not to betray your surprise. Somehow, Ruthie knows more about your life than you want her to. You weren't sure how Ruthie knew this about you, but it wasn’t entirely untrue. 

“Fine,” You huff, flopping down onto your bed. “Who, then?”

Ruthie’s smile is one you could only describe as downright devilish as she leans in, lowering her voice to a lethal whisper. “Who else but Kildare’s biggest fuckboy? JJ Maybank.”

taglist: @rinaarii @kaisgirlie @loophole3 @flourelle @xobeautifulfaith @brooklyn789 @jjscoquette

*if you would like to be removed, pls lmk!

[requiemforthepoets]

the proposal ⟢ FA14

⟢ part four of this time, i’ll love you much better

𖤓 series masterlist ⟢ playlist ⟢ part five ☽

PAIRINGS: fernando alonso x ex-wife!reader

SUMMARY: the twins thought that they have all the time in the world to devise a plan on how they would get you and fernando back together. that is until fernando had told the news to jullianna, prompting to put their plan in motion.

REMINDERS: this is purely fiction, the way how the character is portrayed in my story does not reflect the person that is portraying my character in real life. always separate fiction from reality, and do not repost or copy my work in any way.

WARNINGS: no use of y/n, named character (except for reader), parent trap inspired fic + plot, google translated spanish and french, single dad!nando and single mom!reader (for the time being), evil fiancé, twin switching, inaccuracies with information, and minor typographical errors.

WORD COUNT: 5.1k

AUTHOR’S NOTE: part four of the series!! i have a lot of things going on, so that’s why it always takes a long time for me to update my series/post new parts to fics. as always, this series is open for taglist, so just comment or message me if you wanted to be tagged, and your comments/reblogs are highly appreciated, i hope you’ll enjoy this new part of the series! :)

The sunlight filtered through the curtains as Jullianna pulled her hair into a sleek ponytail, already dressed in a crisp white tennis outfit. She glanced at her reflection in the mirror, adjusting the collar of the polo shirt she wore. Jullianna’s focus, however, was more on the bubbling frustration in her chest. It was not just about the day ahead or the tennis session with Fernando—it was about everything Sofia had dropped into her lap without any warning.

As if on cue, Jullianna’s phone buzzed on the bedside table. She picked it up and saw Sofia’s caller ID flashed on the screen. Narrowing her eyes, she swiped to answer, voice immediately sharp.

“Well, it’s about damn time,” Jullianna began, tone clipped. “I’ve been waiting for you to call, and now you finally do.”

Sofia’s tone was light, almost too casual. “Why good morning to you too, Disney princess. How’s it going?”

“How’s it going? How’s it going?” Jullianna repeated incredulously. “Comment ça va? Vraiment? Tu es sérieusement en train de te moquer de moi?! Sofia, do you have any idea of what you’ve put me through?”

There was a pause on the other end. “What are you even talking about? You know how I can’t understand any of what you’re saying, right?”

“Oh don’t you play innocent with me,” Jullianna snapped. “Karting, Sofia. Karting! You didn’t even bother to tell me how to drive the freaking damn thing! I had to watch youtube videos just to figure out what I was supposed to do. Do you know how embarrassing that was?”

Sofia chuckled nervously. “Okay, okay, I’m sorry! I didn’t think it would be a big deal, papá would’ve helped you.”

“He did,” Jullianna admitted begrudgingly. “But that’s not the point! You could’ve warned me!”

“Fine, I’ll make it up to you,” Sofia said, tone placating. “But seriously, Jules, it’s only karting. You survived, right?”

“Barely,” Jullianna muttered, crossing her arms. “And you’re lucky I did, because I would’ve switched back and made you deal with the mess.”

The line went quiet for a moment, and then Sofia’s voice softened. “I’m sorry, Jules. I didn’t really mean to make things harder for you. I’ll give you all the details next time, okay?”

Jullianna exhaled, some of her frustration easing. “Fine. Alright. But that’s not all we need to talk about.”

“Oh?” Sofia sounded wary. “What now?”

“Stephanie.”

“Stepha-who now?”

“Exactly,” Jullianna said, dropping onto the edge of the bed. “She’s some woman papá had apparently been seeing, and she keeps on coming over to the house like she owns the place. I had to deal with her the other day, and let me tell you, she’s awful.”

Sofia’s voice hardened. “I haven’t heard of her before. When did this start?”

“Eh, probably while we're at camp,” Jullianna said bitterly. “Alejandra told me this woman had been coming around, and from what I’ve seen, she’s trouble. Fake, loud, annoying—you name it, she got it. The worst part? Papá seems completely oblivious to it.”

“Well that doesn’t sound good,” Sofia said. “Keep an eye on that woman. If she’s really as bad as you say, we’ll figure something out. But don’t let that woman get to you, okay? She’s not worth your energy.”

“Easier said than done,” Jullianna muttered.

The twins were so engrossed in their conversation that Jullianna barely registered Fernando calling out for her downstairs. “Sofia! ¡Vamos! It’s time to go!

Jullianna jumped up, glancing at the clock. “I’ve got to go, papá’s waiting for me. We’re going to play a few rounds of tennis.”

“Alrighty. Good luck, Sofia,” Sofia teased.

“Oh shut up.” Jullianna rolled her eyes.

“But seriously though, keep me updated about Stanley.”

“Fia, it’s Stephanie,” Jullianna replied, and Sofia just blew raspberries at her. “And will do. Talk to you later, ugly.”

“Hey! We look just th—” Jullianna ended the call before Sofia could even respond.

Jullianna stuffed her phone into the tennis bag and grabbed Sofia’s tennis racket from where it leaned against the wall, and headed downstairs. Fernando was waiting by the front door, dressed in an equally sporty outfit like Jullianna and holding his own tennis racket.

“Finally,” he said with a smile. “You ready?”

Jullianna nodded with a smile. “Ready.”

The sun was high overhead when Jullianna and Fernando stepped onto the private tennis court—air was warm but pleasant, with a light breeze that rustled the nearby trees. Jullianna adjusted the grip on the racket, movements fluid and confident. Playing tennis was her forté, and it was surely worlds away from the stress and confusion of karting or dealing with unwelcome houseguests like Stephanie.

Fernando took his place on the opposite side of the court, bouncing the tennis ball a couple of times before looking up at Jullianna with a grin. “You ready, chiquita?”

Jullianna smirked. “Yup!”

Fernando laughed, tossing the ball into the and served with precision. The ball zipped over the net, and Jullianna moved quickly, her racket connecting with a satisfying thwack! as she returned the shot.

The rally began, and for the first few minutes, the only sounds were the rhythmic hits of the ball against the racket, quick and hurried footsteps against the clay surface, and the occasional grunt of effort. Jullianna found herself smiling as she played, thoughts drifting briefly to when her and Sofia had shared a match back at camp walden. It was an intense match, filled with playful trash-talking and endless determination to outdo each other.

But then, Fernando broke the silence, tone casual yet curious. “So,” he began, returning a particularly fast shot, “what do you think of Stephanie?”

Jullianna hesitated, her focus briefly faltering before she sent the ball back over the net. “Stephanie?” she repeated, trying to buy herself some time.

“Yes, Stephanie,” Fernando said, voice light but persistent. “You’ve spent some time with her now. I just want to know what you think of her.”

Jullianna tightened her grip on the racket, her mind racing. She couldn’t very well tell him the truth—that she finds Stephanie insufferable, fake, and most certainly not the right woman for Fernando. Instead, she decided to tread carefully, masking her irritation with forced politeness.

“Well,” she began, returning another shot, “she’s…very put-together. Always dressed nicely, very stylish.” she paused, muttering just loudly enough for herself, not my style, though. Mamá’s much better.

Fernando chuckled, clearly amused by Jullianna’s side comment. “So, you think she’s stylish. That’s good to hear, and it seems like you two are getting along.”

“Mm-hmm,” Jullianna murmured, keeping her tone neutral. She didn’t elaborate further, focusing instead on the ball.

Just when Jullianna thought that the conversation about Stephanie is done, turns out that it’s not. Fernando wasn’t done. As the rally continued, his tone shifted slightly, becoming more serious.

“Sofia,” Fernando said, eyes following the ball as it sailed over the net, “I’ve been thinking about the future, and you know that I’m not getting any younger. Sooner or later I’m about to retire soon from Formula 1, and I want to know what you think about Stephanie joining the family.”

Jullianna froze for a split second, the racket nearly slipping from her hands. The words hung in the air, heavy and unmistakable. She knew exactly what he meant, but she decided to play dumb, her voice laced with forced confusion.

“Joining the family? What do you mean, papá? Are you planning to adopt her or something?” Jullianna said jokingly.

Fernando let out a hearty laugh, clearly amused by Jullianna’s sarcasm. “No, chiquita. Not adoption.” he hesitated for a moment before continuing, tone filled with quiet excitement. “What I mean is that I proposed to her.”

The words hit Jullianna like a freight train. For a brief moment, she stood frozen in place, staring at her father as if she had not heard him correctly. Then, as the reality of his statement sank in, something inside her snapped. Jullianna’s next hit was ferocious, with the ball rocketing past Fernando so fast that he barely had time to react. He turned to watch it bounce out of bounds, a look of surprise on his face.

“Wow,” Fernando said with a laugh, jogging to retrieve the ball. “That was quite the shot, eh?”

But Jullianna was not done. Her hits became more aggressive, each one more powerful than the last. She was not just playing tennis anymore, she was channeling all of her anger and frustration into every swing. Fernando was struggling to keep up, missing shot after shot as the intensity of the game escalated.

“Sofia, mi vida,” he called out, tone now tinged with concern. “What’s going on? Are you okay?”

Jullianna didn’t answer, her jaw clenched, and eyes burning with a mix of anger and betrayal. Finally, after one last blistering shot that Fernando couldn’t even attempt to return, she threw the racket with force—destroying it in the process and turned on her heel.

“Sofia!” Fernando called after her, voice filled with confusion as to why his daughter was acting up. “Where are you going?”

But Jullianna didn’t look back. She walked briskly off the court, chest heaving with unspoken words, and tears of frustration stinging her eyes. When Jullianna reached the front door of the house—still angry and frustrated, she grabbed the handle and turned it open, but in her haste and anger, she twisted it the wrong way. The door didn’t budge.

“¡Por favor!” she hissed, shaking the handle violently.

When it still refused to open, Jullianna growled in frustration, yanking the door with all her strength. Finally, it gave way, and she stumbled inside, muttering to herself. She glanced at the door handle, relieved to see it hadn’t broken. Once inside, she marched into the living room, pacing back and forth, her sneakers squeaking faintly against the floor.

“Comment peut-il penser que c’est une bonne idée?” she muttered, throwing her hands in the air. “Who even is she? Elle est insupportable!”

Jullianna’s rant alternated between languages—English, French, and Spanish, as her thoughts tumbled out uncontrollably. “He proposed? To her? ¡Dios mío, papá, estás loco!”

She stopped pacing momentarily, pressing her hands to her forehead. “This is not happening. This cannot be happening. I can’t handle this alone, I’m only one kid.”

Lost in her tirade, Alejandra peeks around the corner of the armchair she’s been sitting in with a cup of coffee in her hands. Alejandra initially assumed Sofia was in one of her usual moods, but the erratic pacing and the odd blend of languages caught Alejandra’s attention.

When Jullianna finally turned around, Alejandra cleared her throat gently. “¿Tienes algo que quieras compartir con la clase, mi chica?”

Jullianna froze mid-step, head snapping up—to which she immediately regretted because of the strain of her action. Her eyes widened in shock, the usually composed façade already slipping. Her heart was racing so fast, and quickly straightened her posture, smoothing her tennis skirt and forcing a smile.

“Alejandra! I didn’t see you there, you gave me a fright!” she said, tone overly bright.

Alejandra sat her coffee cup down at the side table, her eyes narrowing slightly as she stood up from the armchair and slowly approached Jullianna.

“You didn’t see me? Gave you a fright? I’ve been sitting here the whole time, chica. You were so lost in your own thoughts, or rather, in frustration, that you didn’t notice.” Alejandra folded her arms, studying Jullianna closely. “¿Qué está pasando? En serio.”

“Nothing, I swear!” Jullianna replied too quickly, smile tightening. “Just…a lot on my mind lately.”

Alejandra tilted her head, gaze sharpening. “¿Seguro que no hay nada de lo que quieras hablarme?” she asked for the second time. “You’ve been acting strange, mi niña.”

“Strange?” Jullianna echoed nervously, the forced smile on her face faltering. “I don’t know what you mean.”

Alejandra took a step closer, expression skeptical. “Sí, extraño. For one, you’re acting too proper—using expressions like you gave me a fright, the way you eat—you barely touch your food now, and even the way you speak sometimes, it’s different. I didn’t even know you speak French.”

Jullianna opened her mouth to respond but found herself at a loss for words. She tried to come up with some silly excuse, anything to divert Alejandra’s growing suspicion, but her mind went completely blank.

“Alejandra,” she trailed off, “I changed a lot over the summer, that’s all.”

Alejandra’s gaze softened, though her tone remained firm. “Si no lo supiera, diría que es casi como si estuvieras…” she paused for a little bit, “Ay dios mío, no importa, eso es demasiado imposible.”

Jullianna hesitated, the weight of the secret she had been carrying threatening to crush her. “Almost as if I were who, Alejandra?”

“Nadie, nadie. Chica tonta, olvida que lo mencioné.” Alejandra chuckled. “Why don’t I make your favorite food, huh? I think that tennis session with your papá had made you hungry.”

Finally, Jullianna sighed, her shoulders slumping in defeat. She couldn’t take it any longer, so she’ll take the chance now. “¿Casi como si fuera Jullianna?”

Alejandra’s eyes widened. “What?” her breath hitched. “You know about Jullianna?”

“I am Jullianna.” Jullianna breathed out.

For a moment, silence hung heavy between them. Alejandra stared at her, mouth opening and closing as she’s trying to process what was happening. Then, tears welled up in Alejandra’s eyes.

“¿De verdad eres Jullianna?” Alejandra asked, voice trembling.

Jullianna nodded, her own eyes glistening. “Yes, it’s me.”

Alejandra’s hands flew to her mouth as a sob escaped her. “¡Mi niña!” she cried, rushing forward to embrace Jullianna.

The hug was tight, almost crushing, but Jullianna didn’t mind. She wrapped her arms around Alejandra, feeling an unexpected wave of comfort.

“No puedo creerlo!” Alejandra said through her tears. “The last time I saw and held you, you were just a baby—barely a year old. You and your mother left for France after the divorce. I thought that I would never see you again.”

Jullianna blinked back tears. “I’ve missed you too, Alejandra.”

Alejandra pulled back slightly, cupping Jullianna’s face in her hands. “¡Oh, mírate!” she said, voice filled with awe. “All grown up, but still the same little girl that I used to hold in my arms. But why are you here in Spain? Where is Sofí?”

Jullianna hesitated, unsure how much to more of her and Sofia’s plan she could reveal. “It’s…complicated,” she said finally.

Alejandra nodded, sensing that Jullianna wasn’t ready to share everything just yet. “Alright,” she said gently. “But you have to be careful, mi niña. If your papá finds out—”

“I know,” Jullianna interrupted, voice firm. “That’s why I need you to keep this between us. Please, Alejandra.”

“Of course,” Alejandra nodded. “Haría cualquier cosa por ti.”

Fernando stepped inside of the house, chest heaving as he called out, “Sofia! ¿Dónde estás?” his voice echoed through the house with urgency.

The sounds of Fernando’s footsteps grew louder as he entered the living room, and Jullianna stiffened, her arms instinctively crossing over her chest. Alejandra had sensed the tension, so she placed a comforting hand on Jullianna’s shoulder.

“Está bien,” Alejandra whispered gently. “I’ll leave you two to talk, I’ll be at the kitchen and prepare you some snacks.”

Jullianna nodded, watching as Alejandra quietly exited the living room and headed towards the kitchen. She barely had a moment to collect her thoughts before Fernando appeared in the doorway of the living room, looking left and right for Jullianna. When he saw her, he paused, hands on his hips, exhaling deeply as though trying to steady himself.

“Sofí,” he said softly, tone coaxing. “Come, sit with me, princesa.” Fernando gestured to the couch.

She hesitated but eventually walked over and perched on the edge of the couch, arms crossed defensively over her chest. Jullianna’s gaze stayed fixed on the floor, refusing to meet her father’s eyes.

Fernando sat beside her, leaving a careful distance between them. “Why did you run off like that mi vida?” he asked, voice gentler now.

Jullianna did not respond, jaw tightening.

“Sofía,” Fernando pressed, leaning forward slightly. “I proposed to Stephanie the other night. It was a very special moment for us—”

“Stop. I’m gonna stop you right there,” Jullianna cut in sharply, standing abruptly. The words struck a huge nerve within her, and she could not hold back any longer. “Just stop, papá, please.”

Fernando blinked, surprised by her sudden outburst. “¿Qué te pasa? Why are you acting like this?”

Jullianna turned to face Fernando, eyes blazing with nothing but anger. “Because it is outrageous!” she snapped, throwing her hands in the air. “You’re marrying her? That woman? Marrying Stephanie?”

He frowned. “And what is so outrageous about that?”

“Oh my god, papá! That woman’s practically young enough to be my sister!” Jullianna shot back, pacing back and forth as her emotions spilled over. “Do you not see how absurd this is? All of it!”

“I never knew you would be reacting like this,” Fernando stood, hands raised in a placating gesture. “Sofía, calm down, por favor. There’s no need to—”

“Je suis calme!” Jullianna shouted like a maniac, clearly not calm at all. She began to switch to French again without even realizing it, her words tumbling out in a torrent. “Comment peux-tu faire ça? As-tu même pensé à ce que cela signifierait pour nous? C’est insensé! Je ne peux pas croire que tu ferais ça. Elle n’est pas la bonne pour toi, papa. Pas du tout!”

Fernando furrowed his eyebrows, stepping in closer towards Jullianna. “What…French? Desde cuándo hablas francés?”

Jullianna stopped pacing, momentarily caught off guard. “I-I um, uh, learned it at camp,” she said quickly, brushing past the question. “But that’s not the point!”

She faced Fernando. Taking a deep breath, she began, voice softening slightly. “I’m sorry for my outburst,” she said, brushing her hair back from her face. “But we need to talk about this rationally.”

Fernando nodded, motioning for her to sit again, but Jullianna preferred standing. “Alright, alright,” he said. “Let’s talk. But in a language we can both understand, por favor mi vida.”

He sighed, patience already visibly thinning. “Sofía, I don’t understand why this is upsetting you so much. Stephanie has been kind to you, hasn’t she? She’s made every effort to—”

“Kind?” Jullianna scoffed, cutting him off. “That’s not the issue, papá. This isn’t about her being nice, this is about you thinking you can just bring someone into our lives and marry them without even considering how it affects everything!”

Feenando’s brows furrowed deeply. “I have considered it. Stephanie is someone I care about, and I thought you would—”

“Well you thought wrong!” Jullianna interrupted, voice rising again. She felt the heat of tears threatening to spill but blinked them back furiously. “You can’t do this, papa. You can’t marry her—or anyone else! It will ruin everything!”

He opened his mouth to respond, but before Fernando could even say a word, Jullianna already turned on her heel and stormed out of the room, her tennis shoes squeaking against the floor.

“Sofía!” Fernando called after her, voice tinged with frustration and confusion. But she didn’t stop despite how many times Fernando called out for her.

Jullianna slumped into the St. Anthony’s face-to-face swing, letting her head fall back against the smooth wood. She exhaled sharply, crossing her arms over her chest, still reeling from what she had just learned. Fernando had proposed to Stephanie. Proposed. The word itself made her stomach churn.

This was worse than she and Sofia had imagined. They had time, or so they thought. But now, with a ring on Stephanie’s finger, the entire course of action had been changed—everything was moving too fast. Jullianna and Sofia had to quickly put their plan into motion if they even want to stop this wedding from happening, they need to act now. But there was only one viable solution: they had to get you and Fernando back together.

Jullianna was deep in thought, brainstorming ways to subtly, but not-so-subtly, bring you to Spain or maybe one of his races so that she and Sofia can just push you both back towards each other, when a sudden knock against the wooden frame of the swing had startled Jullianna. Her head snapped up, and saw Stephanie.

“Mind if I join you?” Stephanie asked, voice light and airy, as if she had just wandered into the garden without a care in the world.

Before Jullianna could even answer, Stephanie lowered herself onto the vacant seat of the swing, facing her directly. Jullianna barely stopped herself from grimacing, just looking at Stephanie made her want to barf.

Stephanie clasped her hands together, tilting her head slightly. “I can imagine how surprised you must have been by the engagement news.”

Jullianna forced a tight-lipped smile, words laced with passive aggression. “Oh, shock doesn’t even begin to cover it, honestly.”

Stephanie just chuckled, completely oblivious to the sharp edge in Jullianna’s tone. She relaxed herself on the seat, movements elegant and poised, as if this were just another casual afternoon chat. Forcing herself not to groan, Jullianna braced herself for whatever nonsense Stephanie was about to spew.

“You know,” Stephanie began, leaning slightly forward, “eleven is such a very wonderful age.”

Jullianna arched an eyebrow. What in the actual world does that have to do with any of this?

Stephanie smiled wistfully, as if she was reminiscing about something so precious. “When I was eleven, I had my first beau.” She let out a soft laugh, eyes sparkling with nostalgia.

“It was the first time I really started to feel like a woman.” she sighed dramatically. “That’s when I realized love was this fantastic, exhilarating mystery, one that takes a man and a woman on the most magical journey.”

Jullianna’s hand was tightly gripping the armrest of the swing, jaw now clenched, and resisting the great force of rolling her eyes. Oh, for the love of all things holy. She kept her expression neutral, pretending to listen, but internally, Jullianna was already pulling her hair out and screaming.

Stephanie continued, completely unaware of Jullianna’s growing irritation. “And believe it or not, you’ll understand that feeling soon,” she said with a knowing smile.

Jullianna just stared at Stephanie, fingers curled slightly now against her arms. She was not sure what was more annoying—Stephanie’s patronizing tone, or the fact that she spoke as if she had somehow unlocked the secrets of the universe. She certainly did not want to sit there, listening to this woman yap on about love like she was some kind of modern day Aristotle.

Before Stephanie could continue her sickly sweet monologue about love and magical journeys, Jullianna lifted a hand slightly, cutting Stephanie off.

“You know, I don’t want to sound all jerky or anything, because, from what I can tell, you’re trying really hard to be all mushy and sentimental.” she tilted her head slightly, letting her eyes linger on Stephanie’s with something close to amusement. “And I think I finally got it.”

Stephanie blinked, caught slightly off guard. “Get what, exactly?”

Jullianna leaned forward slightly, lips curling into a knowing smile. “What my papá sees in you.” she continued, voice still laced with that same passive aggressiveness, but now there was something else woven into it—a challenge. “You’re a beautiful woman. Sexy, even, and my papá? Well, he’s only human, after all.”

Stephanie’s lips parted slightly, but no words came out just yet. Jullianna’s smile widened just a little, though her eyes were sharp.

“But if you ask me, marriage is supposed to be based on something more, don’t you agree?” Jullianna let the question hang in the air for a moment before her smile turned almost innocent. “Something more than just…fornication. If you don’t know what fornication is, it means sex.”

Stephanie’s entire expression shifted. Gone was the light, airy persona. Her posture stiffened just slightly, and the sweetness in her eyes dimmed, now replaced with something sharper, something calculated. Jullianna didn’t flinch though, in fact, she was thoroughly enjoying every bit of it.

She smiled, but it was a whole lot different now. “Oh boy, your papá really underestimates you, doesn’t he?”

Jullianna let out a small, breathy chuckle. “Oh?” she mused, cocking her head slightly, as if intrigued. “And you don’t?”

Stephanie studied her closely, lips still curved, but her eyes darkened. Jullianna could feel it now—she was starting to get on Stephanie’s nerves. It was a beautiful sight and symphony for Jullianna. Good. People always tend to overlook her, underestimated her. People would assume that she was just a kid who did not know any better. She liked it that way. Because nothing thrilled Jullianna more than a good challenge, and judging by the way Stephanie was staring her down, she had just found herself a new one.

She then let out a light laugh, though there was no real humor behind it. Stephanie tilted her head slightly, her eyes narrowing just a bit as she studied Jullianna with thinly veiled annoyance.

“So what if I’m young and beautiful?” Stephanie mused, voice airy but carrying an undertone of sharpness. “Last time I checked, being young and beautiful isn’t a crime.”

Jullianna simply raised an eyebrow, keeping her smirk firmly in place, which only seemed to annoy the hell out of Stephanie even more.

“And for the record, I know what fornication means, thank you very much. I love your father, I adore him. Your father is exactly the kind of man I’ve always envisioned myself marrying. This—” she gestured between herself and Jullianna as if making some kind of grand declaration, “is the real deal, honey. Nothing, and I say nothing, is going to come between us.”

Jullianna barely blinked at Stephanie’s words. She just leaned back against the wooden swing, one arm lazily draped over the armrest, completely unbothered, and yawning out of boredom to piss off Stephanie more.

While Stephanie, on the other hand, was growing impatient. She leaned forward slightly, gaze piercing as she said, “you need to understand something, sweetheart. This is the reality now, you have to accept the fact that you’re no longer the only girl in Fernando Alonso’s life. You need to get over it.”

That did it. Jullianna’s lips curled into an even bigger smirk, one that was almost too smug, too knowing. It made Stephanie’s fingers twitch slightly, as if she were resisting the urge to wipe the expression right off her face. She leaned in slightly as well, resting her elbows on her knees as she stared Stephanie down.

“Oh? That’s the reality, huh?” she drawled, voice dripping with amusement.

Jullianna continued, her smirk never wavering. “So, just to be clear that we’re on the same page here, papá’s money has nothing to do with any of this? No part of you thinks that marrying him just so happens to come with a very very comfortable lifestyle?”

Stephanie’s expressions had immediately tightened, but she quickly schooled her features back into something neutral. “Are you insinuating that I’m marrying your father for his money?” she asked, feigning offense, though her voice was just a little too even to be genuine.

Jullianna simply shrugged, the smirk on her face never fading. “I’m not insinuating anything, but if that’s what you think, then feel free to think of such things,” she said innocently, though her eyes were gleaming with mischief. “I’m just saying, I’ve seen this in a film before. I mean, come on, I’ve watched cinderella more times than I can count.”

Stephanie’s brows furrowed slightly, unsure of where this was going. Jullianna sighed dramatically and shook her head. “And if this whole shazam isn’t about money, then great! But personally? I’d rather not end up scrubbing the floors and befriending the neighborhood birds while you have breakfast in bed, smiling down at me from your throne in papá’s house.”

Her entire face stiffened at what Jullianna just said, lips pressing together tightly as the words settled between them. For the first time in their entire conversation, Stephanie had no response at all, and that? That brought nothing but pure, unadulterated joy.

However, Stephanie’s entire demeanor changed the moment Jullianna’s words sank in. Her perfectly poised expression faltered, just for a second, before her brows furrowed and her lips pressed into a thin, irritated line. It was the exact reaction that Jullianna had been hoping for. She had successfully gotten under Stephanie’s skin, and now? Now she was really starting to see the cracks in the woman her father wanted to marry.

Stephanie inhaled sharply, composing herself before leaning forward again, but this time, her face was mere inches from Jullianna’s. She locked eyes with her, the intensity of her gaze enough to make most people shrink under the pressure. But not Jullianna.

“You are unbelievably out of line, jovencita,” Stephanie said in a low voice, tone dripping with controlled frustration.

Jullianna simply blinked up at her, her smirk never faltering. Stephanie exhaled through her nose, clearly trying to keep herself from snapping. Then, with slow precision, she spoke, enunciating each word carefully.

“Listen to me, and you listen good,” she began, voice dangerously soft. “I’m marrying your father whether you like it or not. So if I were you, I’d quit playing whatever little game you think you’re playing and stay out of my way.”

Jullianna raised an eyebrow, tilting her head slightly as if contemplating Stephanie’s words, but said nothing. Stephanie leaned more closer, voice dropping even more lower.

“You are way in over your head, sweetheart,” she continued, tone carrying a hint of condescension. “So I suggest you don’t tangle yourself up in things you clearly don’t understand.”

There was a heavy pause. Stephanie studied Jullianna’s face, waiting for some kind of reaction, for her to look intimidated, or at least acknowledge the warning, and Stephanie took Jullianna’s silence as an agreement, she leaned back on the swing, arm draping over the armrest.

Instead, Jullianna just smiled. Not a polite smile, not a nervous smile. But a slow, teasing, infuriating smirk. Then, she shrugged, Stephanie’s eye twitching. Before the woman could say another word, Jullianna stood up, stretching slightly as if this whole conversation had been nothing more than a mild inconvenience for her. Without a warning, she bent down so that she was now the one at Stephanie’s eye level.

“Je comprends parfaitement, Cruella.” she said smoothly. Stephanie blinked, momentarily caught off guard.

Jullianna smiled again, that same mischievous, knowing grin that had been pushing all of Stephanie’s buttons. Then, because Jullianna was still eleven after all, and feeling particularly childish, she blew raspberries right in Stephanie’s face, wherein the woman recoiled, visibly appalled. Jullianna giggled, straightening up before giving her soon-to-be stepmother a playful wink.

“Au revoir, St��phanie,” she said cheerfully.

Jullianna turned on her heel and walked away, leaving the woman completely dumbfounded.

taglist : @qghosty , @seonghwaexile , @linnygirl09 , @tallrock35 , @madnesstaking0ver , @akulici , @scopeiguess , @ferakillia , @exactlycoralfox , @iambored24601 , @mx13sworld , @tibadi , @chainsawangel

[pseudonymousposting]

Just use the word from before. You don't really need to worry about having a different word for everything unless the difference serves a purpose.

If your story is first person or primarily follows a specific POV or is told by a specific narrator, wouldn't it make sense that the storyteller is not a walking dictionary?

When people speak, they tend to have patterns anyway, and you don't notice them unless you're looking for it. I can refer to Hbomberguy's bit in his plagiarism video where he mentions that an AI asked to write a segment in his style uses the words, "buckle up." This points to how he uses that phrase often.

He jokes that this is because he's bad at writing. I beg to differ. The consistent use is really fucking good, actually, and I hope he doesn't correct for it in the future.

The pattern, when used specifically by him, has certain implications that will prompt a fan of his videos to notice when he is making a salient point integral to the theme he is conveying throughout the entire video. You also know that the example he is about to use is probably pretty goddamn funny, or notable, or egregious. Maybe you noticed that before. Maybe. If you've watched all of his videos, like twice each, at least.

If you're a fan of Dimension 20, it's quite likely you know all the words Brennan Lee Mulligan uses ALL the time.

Rad

INcredible

Hell yeah

All are little communicators from him as a DM. They're used so often, even casual watchers meme about it. Also Matt Mercer saying "how do you want to do this." Also make note, if Brennan Lee Mulligan starts monologuing with a question, brace yourself.

The use of these common, consistent, repetitive phrases actually communicates more. It would be ridiculous if Brennan Lee Mulligan got shy about using the same term and clumsily said "inferno affirmative," or something. Unless he was purposely doing it as a clunky bit just for laughs, and even then, doing it unprompted would just get a blank stare at this point. The repetition has a benefit, not a deficit.

Your peerless vocabulary is not the most important component of your craft. Your story is. Care less about finding a million different words to say the same thing, and focus more on saying what you need to say. Story good, not word good.

When people read a story, they might say "the plot was well constructed." Or, "the suspense kept me on my seat." Or, "I laughed so hard."

You know what they won't say? "There's was a nice diversity of words there. The writer did a good job of making sure they didn't use a word twice on a given page." I'd argue that if that's what a reader notices, the writer failed to craft a good story.

Complimenting a person on their extensive vocabulary is more a thing an adult does for a 'gifted' child. It's better to write an excellent narrative at a 3rd grade reading level than to write a bad story at a collegiate level.

Hell, it's better to write a good story at a 3rd grade level than it is to even write an amazing story at a collegiate level. You're communicating. Make sure you are doing so effectively first and foremost. Everything else is just fluff.

This falls in line with the thing where people will try to cap off quotes with unnecessary modifiers where "said" does just fine and is almost invisible. Y'know, the ol' "'snape!' Slughorn ejaculated." Why say many words when few words do trick, eh?

Not to say finding the right synonym isn't useful. Sometimes, a synonym carries specific implications or a slightly different meaning more suited to that particular use case. In this case, that synonym might actually be a better fit to serve your purpose.

Alternatively, it's possible the character could be more likely to use that word over another for any particular reason. It can speak to who they are in a way that can help you avoid a little exposition here and there. Hell, using outdated terms might do the same.

For example, a now deceased man who was an instructor before I flunked out of college, who was nearly 90 years old. I think he sometimes used stories from his career to try and provide a point without giving answers.

He started one such story with "there was this guy I worked with a long time ago. He was uh ambidextrous, yknow what I mean? Uhh, he was a switch-hitter or a uhh..a bisexual..."

I'm not gonna lie, I was fucking awestruck at the term "switch-hitter," referencing bisexuality. That term instantly made me a patriot for about two weeks. I'd never heard anything more apple-pie, bald eagle with a single tear, and inside the tear, you can see the twin towers, Ole Glory waving proudly in the background with fireworks bursting over the top motherfuckin AMERICA than "switch-hitter" meaning "bisexual" holy shit.

Anyway, shortening things, I flunked out, met my abuser, and fled town because I just couldn't live in the same town as them anymore. He called to check on me.

He told me he keyed in that something was wrong and felt the need to check in. He believed my story. He said a lot that helped me with my recovery.

Part of my story involved the fact that I'm trans, as queer relationship dynamics were, like, central to the abuse. Interestingly, unlike many people in their 40s, 50s, and 60s, this man pushing his 90s understood every single damn word of what I was saying.

I bring up this story because of the synonyms he uses and how we can think about their use in context. My mind trails back to the term "switch hitter," a 1960s slang term for bisexual used right after "Ambidextrous," an earlier term. Of course, the man immediately understood all this queer mumbo-jumbo I was saying and didn't flinch even a little about my being trans.

However, its use from a 90-year-old right after "ambidextrous" tells an entirely different story. It drops a hint that this guy may have been, at the very least, accepting of people who were involved in the gay rights movement during the time.

Desperately seeking a synonym for "bisexual" might yield you to terms which are today potentially offensive or harmful, but before the 1970s were descriptors that bisexuals would sometimes use to describe themselves. So, depending on who uses that term, it could be harmful, or it could be someone who fought against that harm long before that term ever had potential negative implications.

Also, note how many times I just said, "bisexual?" Did it feel repetitive? Probably not.

If the use of the synonym serves no purpose other than feeling like you need to use a different word, consider, "Why am I really looking for a synonym, here?" If it doesn't serve a specific purpose, then feel free to just use whatever word makes sense. If it matters for one reason or another, use that. Just use what works. This ain't a vocabulary test. You don't need to impress your middle school English teacher anymore. You're free.

[knaveumineko]

Umineko Episode 3 Blog: Once Upon A Time

I had a feeling a topic like this would eventually come up. There are only so many "unforgivable" things a man in Kinzo's position could have done to his unrequited love. Somehow, it seems the truth was far worse than I thought.

I had found Episode 2 to be a largely uneventful affair. I liked the focus on Shannon and Kanon's characters at the start, and their relationship to "Beatrice," and Rosa was a riot as usual, but beyond that a huge chunk of it felt like I wasn't really getting much new information. Episode 3 kind of feels like Episode 2, but better. The magic part of the story is more interesting and has more meaningful implications on the mystery side of the story instead of being random nonsense, the game throws interesting twists on the mysteries of the previous games (killing off all of the servants on 1st Twilight was such a cool idea), and Ryukishi has provided so much important context regarding the killer's motivations, where before all we knew was that it was Sayo and her reasons had something to do with her solving the epitaph.

I'm told that people at the time found Episode 2 too difficult, and Episode 3 was in some ways a response to that, which is why we get treated to Virgilia explaining what an unreliable narrator is to Battler for the sake of those poor souls who hadn't caught on up to this point. It seems like Umineko has finally finished establishing its basic narrative tricks, and now we get to just have fun with it, although "fun" is maybe the wrong word for the main topic of this post.

Beatrice gets a bit shifty about explaining her backstory, as we'd expect from her. She wants us to believe that her death, as witnessed by Rosa, makes it impossible for the secret mansion to have any connection to the Rokkenjima murders, but it's clear that the Beatrice in the prologue is not the one from Rosa's story. Unfortunately, we've gone full Yu-Gi-Oh at this point and we have way too many different Beatrices running around, so for the sake of my sanity:

Beatrice I: Kinzo's mistress from long ago. May or may not have provided gold. Commit suicide after her daughter was born.

Beatrice II: Daughter of Beatrice I and Kinzo. Met Rosa. Died after falling off of a cliff.

Beatrice III: girl who broke a vase in the prologue. Describes Kinzo as her grandfather, which, troublingly, means she's probably Beatrice II's daughter.

Beatrice: Battler's nemesis in the meta-plot. On a metaphorical level, she's sort of a vague amalgamation of everything and everyone who's received the name of the golden witch.

Virgilia: Beatrice III's caretaker, who appears in the meta-plot and magic narrative as a mentor witch. In reality, Virgilia is Kumasawa. It's a well-executed Chekov's Gun: we were told in Episode 1 that Kumasawa often quits and then comes back after a while. The implication seems to be that whenever Kumasawa "quits" working for the Ushiromiya family, she's actually just being reassigned to the secret mansion to look after whichever Beatrice is staying there.

Sayo: masterminded the Rokkenjima killings, while occupying the role of the golden witch.

Eva: Kinzo's eldest legitimate daughter. Took over a significant chunk of the killings in Episode 3, after solving the epitaph. Was it simple greed, or are we again finding out that the epitaph hides an additional secret that makes those who solve it lean toward committing the killings?

EVA: Eva's inner child turned witch. Typically appears in the magic narrative to explain away the killings. Symbolically represents that Eva and Sayo do not have the same ends, even if they end up using the same means.

Ange: I guess they're just letting anyone be a witch these days.

Beatrice's explanation about being locked in the body of Beatrice II tells a horrid story between the lines: Kinzo had a daughter with his mistress, and after her death, he groomed his daughter to serve as her replacement. The fact that Kinzo has an extra grandchild we can't account for would seem to imply that he tried it twice. Beatrice tries to obscure this fact by working through Rosa, who didn't have enough context to understand the situation.

In any case, based on the timeline I'm guessing that Beatrice III is Sayo. She's the only realistic candidate I can think of who's involved in the story, and explains a lot. The servants are willing to work with Sayo out of a sense of obligation toward her, both because Kumasawa at the very least probably feels a lot of guilt at being complicit in the situation, and because Sayo probably became the de facto head after Kinzo died. I bet he'd sooner appoint her than anyone else in his family, although the rest of the family would certainly have disputed the claim if she'd come forward initially.

I do wonder what Kinzo was thinking having Sayo become a servant. Maybe a cover story, since the truth behind her birth was too shameful to admit? Another possibility is that the servants just got one over on ol' Kinzo and sent Sayo to the orphanage at some point, pretending she was someone else. I feel like Sayo had to end up at the orphanage somehow, even briefly as part of her cover story, since she needs to meet Kanon at some point.

The implications of this on Sayo and George's relationship aren't great, but we've already crossed that line by now, and Episode 2 did establish that Shannon avoids being physically intimate with George. Did Shannon enter this relationship in some attempt to get control over the family's assets, knowing that her claim would not be respected under normal circumstances, or did she only come to fully understand who she was and where she came from after solving the epitaph?

Sayo's connection to Beatrice feels very different now. Sayo probably doesn't even remember her mother, so the closest she's got is the legend of the witch. No wonder she takes on that role to get revenge on the family. The whole theme in the first letter of taking back what's rightfully hers fits much better as well.

We still don't fully understand Sayo's motivations. The whole conversation on the beach about Battler's childhood crush really feels like it's foreshadowing a reveal later. I'm guessing it's something like: Battler threw out a cringy line about coming back for Sayo on a white horse because he was 12, and then ditched the family. Back in Episode 1, George asked Shannon why she had stayed employed as a maid for so long, after already saving a fair amount of money. The truth was that Sayo was envious of Battler leaving everything behind, and, like her mother blindly trusting Rosa, she secretly clung to the childish notion that one day he really would come back for her and take her away from Rokkenjima and the Ushiromiyas, but instead Battler came back and implicitly revealed what she probably should have known: he never took it seriously, and that was the straw that broke the camel's back.

That's enough of that depressing topic. Next time, we get treated to Peak Eva Content.

[amzyspinkarch]

I like the living legends but what the fuck are two grown men doing participating in a high school fight??

[trannyradfem]

Wow... a link that's; referencing events mostly from outside this decade, about WoLF of ALL the organizations you could've chosen, coming from an anon blog, and linking to a news platform with an insane levels of bias. I've never seen a TRA do THAT before! /s

Take a step back. Because I'm not remotely part of WoLF or #LetWomenSpeak, in case you didn't know that. But if you wanna play that game, you're going to have to give some pretty damn good excuses for you associating with rapists like Erza Miller and Chris Chan, and then get back to me.

But I know you won't, because we both know that's a bullshit argument. You are equating a trans, seriously disabled stranger on Tumblr who has some harsh words for you, to...

☆ ICE raiding schools and arresting + traumatizing children

☆ The attempt to destroy all publically funded medical programs

☆ Removing all DEI protections at a federal level

☆ Outlawing transgender status on ID's

and so many more shit life-altering decisions Trump's tried to pull.

And you think I'm the same or worse than that for... speaking my mind on Tumblr. Just wow. You just cannot fucking stand female people who won't agree with you, can you?

What, do you think I'm in your walls or something, plotting to kill you? Whispering "kys, anon! kys!!!" into your ear every night when you go to sleep? This is just fucking ridiculous. Get a grip. Touch some grass. Go outside. Take some anti-psychotics, even, because this is downright delusional at this point.

AFABs being mean about the ways they disagree with you about politics on Tumblr aren't going to and shouldn't kill you-- it should BARELY even affect you! If you've been brainwashed to think it can kill you, then you need to focus on making yourself healthy before looking into being a vanguard for political advocacy... or even using the internet, I'd argue. I'm not remotely responsible for that lack of oversight.

I'm really tired of this pseudo-intellectualism and unwarranted paranoia fueling an overly exagerrated victim complex. It's genuinely mentally sick, and you're making each other worse, weaker, and even more miserable by encouraging this in the trans community. IT'S WHY I LEFT. Because it was too much like the literal abusive cult I was raised in! It's why so many people are defecting now.

You guys never come up with anything new, either, acting as if I didn't read this and question it when it came out. Which was BEFORE I defected, by the way. I've probably been out as trans longer than you've even been ALIVE.

So, did you really think that article was going to convince me? Because it doesn't. It only proves that I'm right, and you've just proven you don't know anything at all. Because if you sincerely think feminist women are asking men to protect them, then there's no helping you.

You've fully lost the ability to think critically, and will guzzle down any sludge so long as it has the trans flag stamped on it. You probably criticize rainbow capitalism even though it's the same exact garbage being fed to you. Have some real fucking self respect and pride, my god. I'm not going to bother with even giving you the satisfaction of arguing about this.

tbh I don’t think I’ll ever really forgive the trans movement for indoctrinating so many people into the belief that women speaking about our sex-based oppression is “terfy” and shouldn’t be allowed and any woman who does it wants to genocide trans people. even if they back off of this stance, the damage is done.

me saying “women are oppressed on basis of sex, not gender identity, and we cannot identify out of that oppression” does not mean I think it’s okay to kill or hurt trans people. it does not mean that I agree with right-wingers when they say gender non-conformity is destroying civilization. It does not mean that I am going to vote for politicians who think all gay people/gender non-conforming people are groomers.

it literally just means you cannot change your biological sex (which was never a controversial statement, even among trans people, up until like 5 years ago) and females should have special protections and spaces since we are constantly being preyed upon by males who see us as subhuman sex objects. that doesn’t mean I think all trans people are predators, it means that enough males are predatory toward women that we deserve to have spaces away from them (especially spaces where we’ll be not fully clothed).

we deserve to be able to talk about female-specific oppression without being told we’re evil genocidal nazis. and the fact that they constantly have to misrepresent what our actual beliefs are tells me they know we’re right and it scares them.

[o-vera-nalyzing]

if we only get like one episode of ayda being back i’ll actually be so upset u don’t understand

[hanzajesthanza]

this looks like a long time but initially it said 1 MONTH 15 days

[male-duckk]

thinking abt joe/carlos

[sskk-manifesto]

Ep 5!!!

[nenoname]

while the only redeeming quality of love god really is the stan joke, it does emphasize how bad mabel is at matchmaking and also how much romance sucks actually

[rearranging-deck-chairs]

rewatching 13s era for me is not so much diminishing returns as it is something opposite and eviler...............increasing losses? increasing losses

[theflyingfeeling]

okay I'm not expecting anyone to care all that much, but I was looking at the prompts for the 18th Day of Gift-Giving for my Olli/Allu fic advent calendar and I'm between two options on what to do with them, so if anyone out there wants to put in their two cents...

(see the pros and cons in the tags of the original post)

[britneyshakespeare]

So yesterday I read "Slimed with Gravy, Ringed by Drink" by Camille Ralphs, an article from the Poetry Foundation on the publication of the First Folio in 1623, a major work without which most of Shakespeare's plays might very well have been lost today, possibly the most influential secular work of literature in the world, you know.

It's a good article overall on the history and mysteries of the Folio. Lots of interesting stuff in there including how Shakespeare has been adapted, the state of many surviving Folios, theories of its accuracy to the text, a really interesting identification of John Milton's own copy currently in the Free Library of Philadelphia, and the fascinating annotations that may have influenced Milton's own poetry!!! Do read it. It's not an atrociously long article but there's a lot of thought-provoking information in there.

There's one paragraph in particular I keep coming back to though, so I'm just gonna quote it down here:

...[T]he Play on Shakespeare series, published by ACMRS Press, the publications division of the Arizona Center for Medieval and Renaissance Studies at Arizona State University... grew out of the Oregon Shakespeare Festival’s plan to “translate” Shakespeare for the current century, bills itself “a new First Folio for a new era.” The 39 newly-commissioned versions of Shakespeare’s plays were written primarily by contemporary dramatists, who were asked to follow the reasonable principle laid out by series editor Lue Douthit: tamper in the name of clarification but submit to “do no harm.” The project was inspired by something the linguist John McWhorter wrote in 1998: “[the] irony today is that the Russians, the French, and other people in foreign countries possess Shakespeare to a much greater extent than we do … [because] they get to enjoy Shakespeare in the language they speak.”

Mainly it's the John McWhorter thing I keep coming back to. Side note: any of my non-native-English-speaking mutuals who have read Shakespeare, I would love to know your experiences. If you have read him in translation, or in the original English, or a mix of both. It's something I do wonder about! Even as an Anglophone reader, I find my experience varies so much just based on which edition of the text I'm reading and how it's presented. There's just so much variety in how to read literature and I would love to know what forces have shaped your own relationships to the stories. But anyway...

The article then goes on to talk about how the anachronistic language in Shakespeare will only fall more and more out of intelligibility for everyone because of how language evolves and yadda yadda yadda. I'm not going to say that that's wrong but I think it massively overlooks the history of the English language and how modern standard English became modern standard English.

First of all, is Shakespeare's language completely unintelligible to native English speakers today? No. Certain words and grammatical tenses have fallen out of use. Many words have shifted in meaning. But with context aiding a contemporary reader, there are very few lines in Shakespeare where the meaning can be said to be "unknown," and abundant lines that are perfectly comprehensible today. On the other hand, it's worth mentioning how many double entendres are well preserved in modern understanding. And additionally, things like archaic grammar and vocabulary are simply hurdles to get over. Once you get familiarized with your thees and thous, they're no longer likely to trip you up so much.

But it's also doubtful that 400 years from now, as the article suggests, our everyday language will be as hard to understand for twenty-fifth century English speakers to comprehend. The English language has significantly stabilized due to colonialism and the international adoption of English as a lingua franca. There are countless dialects within English, but what we consider to be standard international "correct" English will probably not change so radically, since it is so well and far established. The development and proliferation of modern English took a lot of blood and money from the rest of the world, the legacy of which can never be fully restored.

And this was just barely in sight by the time that Shakespeare died. This is why the language of the Elizabethans and Jacobeans is early-modern English. It forms the foundations of modern English, hence why it's mostly intelligible to speakers today, but there are still many antiquated figures within it. Early-modern English was more fluid and liberal. Spelling had not been standardized. Many regions of England still had slight variations in preferences for things like pronouns and verb conjugation. We see this even in works Shakespeare cowrote with the likes of Fletcher and Middleton, as the article points out. Shakespeare's vocabulary may not just reflect style and sentiment, but his Stratford background. His preferences could be deemed more "rustic" than many of his peers reared in London.

Features that make English more consistent now were not formalized yet. That's why Shakespeare sounds so "old." It's not just him being fancy. And there's also the fact that blank verse plays are an entirely neglected art nowadays. Regardless of the comprehensibility of the English, it's still strange for modern audiences uninitiated to Elizabethan literature to sit there and watch a King drop mad poetry about his feelings on stage by himself. The form and style of the entire genre is off.

But that, to me, is why we should read Shakespeare. We SHOULD be challenged. It very much IS within the grasp of a literate adult fluent in English to read one of his plays, in a modern edition with proper assistance and context. It is GOOD to be acquainted with something unfamiliar to us, but within our reach. I'm serious. I do not think I'm so much smarter than everyone else because I read Shakespeare. I don't just read the plain text as it was printed in the First Folio! The scholarship exists which has made Shakespeare accessible to me, and I take advantage of that access for my own pleasure.

This is to say that I disagree with the notion that Shakespeare is better suited to be enjoyed in foreign tongues. I think that's quite a complacent, modern American take. Not to say that the sentiment of McWhorter is wrong; I get what he's saying. And it's quite a beautiful thing that Shakespeare's plays are still so commonly staged, although arguably that comes from a false notion in our culture that Shakespeare is high literature worth preserving, at the expense of the rest of time and history. It is true that his body of work has such a high level of privilege in the so-called Western literary canon that either numerous other writers equally deserve, or no writer ever could possibly deserve.

The effort that goes into making Shakespeare's twenty-first century legacy, though, is a half-assed one. So much illustrious praise and deification of the individual and his works, and yet not as much to understanding the context of his time and place, of his influences, forms, and impacts on the eras which proceeded him. Shakespeare seems to exist in a vacuum with his archaic language, and we read it once or twice in high school when we're forced to, with prosaic translations on the adjoining page. This does not inspire a true appreciation in a culture for Shakespeare but it does reinforce a stereotype that he must be somehow important. It's this shallow stereotype that makes it seem in many minds today that it would be worth it to rip the precise language out of the text of a poet, and spit back out an equivalent "modern translation."

[fingertipsmp3]

Ughhhhhhh I hate writing and I hate not writing and I hate myself

[thefirstknife]

Is the Witness cutscene viewable to people who did not pay for access to the season (or will it be post-year)? Like people who only bought the expansion and not the season pass? I know they shove important story and lore info behind timegated paywalls constantly (reason I hate the season model), but that seems like a really especially vital scene I would hope would be viewable in-game by everyone

Right now, it's only a part of the season. Obviously it's available for free online on their official and non-official channels, but in-game it's only for those that have Season of the Deep, for now, since it's a part of this season.

As for the future, honestly no clue. I will assume yes because of one simple fact: you will no longer be able to buy the past seasons when Lightfall year ends. That would mean that only people who bought the season during this year would continue to have access to the cutscene going forward, but no new players would have the same access, which kinda defeats the purpose of having it accessible in the game later.

So I can assume that they might be working on some universally accessible cutscene viewer that will allow all players to see cutscenes from content no longer in the game, regardless of whether they've previously purchased it or not. That's the best scenario because it would mean we'd get all other cutscenes in the game too. The middle scenario is that only the Witness cutscene will be viewable somewhere as part of another mission or some quest, also without having to have purchased Season of the Deep (since you won't be able to once TFS starts: technically you'll be able to purchase Lightfall so maybe it will require you to at least have purchased that, but the season itself will no longer exist).

We'll have to wait for more info on that. As of now, I would assume that once this year is done and the season is no longer purchasable, the cutscene will be a part of content that is available to everyone. While it's still purchasable, it's only in-game for those that bought it, but can be viewed with no problem on their official channel (and elsewhere).